Duration of Event: September 1 ~ November 27, 1997

While the visual concept of negative space often manifests itself in a limited manner in Western art, it is almost omnipresent in the East, and is most easily defined as the space that is left around the characters and images in a composition. Despite the connotations of the word “negative” it also holds the implication of possibility, new creation, and new creativity. In a broader sense, it can represent resistance against encroaching modern society and the destruction of the primeval.

The main exhibition was designed to discuss the importance of the flow of the natural in its relationship to negative space to create a dialogue on a harmonious coexistence between the built and the pristine. It was composed of five parts: Speed, Space, Hybrid, Power and Becoming.